presszorix teaches studio equipment setup, dynamic camera operation, lighting and sound for television news and live shows, in small crews and on real broadcast kit.
Our philosophy is simple: hire a team of diverse, passionate people and learn on a studio floor that rewards practice. Pick a cohort and enquire today.
Here you will find the answers to the questions we hear most often. Still unsure? Ask us directly.
Do I need previous studio experience?
No. Studio Foundations starts from the basics of safety, cabling and kit handling. Studio Pro and Broadcast Master build on that with live rehearsals.
What equipment will I work with?
Pedestal and PTZ cameras, teleprompters, LED lighting grids, digital audio consoles and a full vision mixer in a working gallery.
How big are the groups?
Foundation groups have up to 8 trainees and longer programmes up to 12, so everyone gets time on every position of the crew.
Can I pay in instalments?
Yes. Studio Pro and Broadcast Master can be split into monthly payments. Send us an enquiry and we will confirm the schedule.
Do you offer training for a whole newsroom?
We run on-site crew training for broadcasters and production companies. Tell us about your studio and we will build a plan around your rundown.
Will I get a certificate?
Every graduate receives a certificate of attendance, and Studio Pro and Broadcast Master trainees also leave with a showreel clip from rehearsal.
Our mission
On a mission to make studio craft accessible
presszorix exists to bring professional studio practice within reach of anyone who wants a career in television news and live shows, whatever their starting point.
After six weeks I was running pedestal moves live on air. The rehearsals felt like a real bulletin, which is exactly why my first booking felt calm.
Hannah ReevesCamera operator, Studio Pro graduate
A school with values
Diversity, inclusion and belonging are fundamental to our success. We believe the best crews are made of different voices, and we teach in a way that welcomes them all.
Passion for the craft
We are driven by smooth camera moves, clean sound and calm galleries. Every session is a rehearsal for the real thing, with feedback you can use the same evening.
Collaborative crews
Live television is a team sport. Trainees rotate through floor, gallery and audio roles so they learn how every cue travels between people.
Industry-standard kit
Everything you learn on is the same class of equipment you will meet in a broadcast facility.
Studio cameras
Pedestal, jib and PTZ systems
LED lighting
Grids, softboxes and dimmers
Audio consoles
Digital desks and wireless mics
Gallery tools
Vision mixer and talkback
Crew roles
Join our crew programme
Our philosophy is simple: learn every role on the floor, then specialise. Choose the position you want to grow into.
Camera operator
Smooth pans, tilts and pedestal moves that match the rundown.
Hannah ReevesCamera operator, Studio Pro graduate
